A review of stage bookings, rehearsal cards and the room’s sound notes finds a gap between the total in the public summary and the conditions recorded at the shared stage at Lantern Theatre. The difference does not prove that anyone misstated the file. It shows what the public count leaves out: the room is used by both late and early audience groups.
The stage bookings, rehearsal cards and the room’s sound notes lists 73 performances with an open rehearsal interval; the previous window lists 73. Adrian Veil checked both against dated handoffs followed from dispatch to the last public stop. The source was checked against a second copy held by Mira Noct. No dated correction to either copy was present when the comparison closed.
The theatre wants one standard rehearsal block. Performers ask that the room be tested at both audience times. The office has not supplied a separate measure that would settle the disagreement, so the two explanations remain competing accounts.
This report supports a narrower finding: the count is repeatable, but it is not enough to decide how an opening schedule leaves rehearsal time for groups with different hours.
The clerk matches the current rule to the dated amendment and public notice. The Year fifth, late winter window 2 file remains open for its scheduled decision. The next booking will include a sound check before each public interval.
